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Alexandre Astruc is a French film critic and film director born 13 July 1923, in Paris (France). Before becoming a film director he was a journalist, novelist and film critic.〔Martin, Marcel (1971) ''France''. London: A. Zwemmer; p. 11〕 His contribution to the auteur theory centers on his notion of the ''caméra-stylo'' or "camera-pen" and the idea that directors should wield their cameras like writers use their pens.〔Alexandre Astruc, "The Birth of a New Avant-Garde: La Caméra-Stylo,” in ''The New Wave'', ed. Peter Graham. Trans. from ''Ecran Français'' 144, 30 March 1948.〕 In 1994 he was awarded the René Clair Award for his whole body of film work. ==Selected filmography== ''(s) indicates films also co-scripted by Astruc'' *1949: ''Ulysse ou Les mauvaises rencontres'' also known as ''Aller et retour'', a short film; Astruc also wrote the scenario *1952: ''The Crimson Curtain'' (s) (Le rideau cramoisi) *1952: ''La Putain respectueuse'' *1955: ''Les Mauvaises rencontres'' (s) *1957: ''Amour de poche'' *1958: ''Une vie'' (s) *1960: ''La proie pour l'ombre'' (s) *1962: ' *1964: ''The Pit and the Pendulum'' (Le Puits et le Pendule) *1966: ' (s) *1968: ' (s) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Alexandre Astruc」の詳細全文を読む スポンサード リンク
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